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Converting Mamet | The Weekly StandardEven so, for anyone who admires Mamet and his work—and who agrees with most of his newly discovered political views—there’s something thrilling about seeing a man so accomplished in an unforgiving art subject his ideas to pitiless examination and, as he put it, “take it all the way down to the paint.” When Mamet recognized himself as a conservative, Shelby Steele told me, “it made him happy.”
He doesn’t freely talk about what it cost him psychologically, however, and he says he hasn’t thought about what it might cost him professionally.
When I pushed him on the subject, he started talking about Jon Voight, another show business Republican.
One day Voight handed him Witness, the Cold War memoir by the Communist-turned-anti-Communist Whittaker Chambers.
“This book will change your life,” Voight told Mamet.
“And he was right,” Mamet said. “It had a huge effect on me. Forcing yourself into a new way of thinking about things is a wrenching experience. But first you have to look back and atone. You think, ‘Oh my god, what have I done? What was I thinking?’ You realize you’ve been a co-dependent with the herd. And then, when you decide to say what you’ve discovered, out loud, you take the risk that everyone you know will look on you as a fool.”
Sitting on an overstuffed sofa in his office, he threw up his hands.
“But what the hell,” he said. “I’m the troublemaker. That’s my role in life. I’m the class clown.”
Starting next month we’ll find out who’s laughing.